LEAVE IT TO a former U.S. Beneath Secretary of State to request strategic internal design. Of her two-room, galley-kitchen pied-à-terre on New york’s 5th Street, by which she regularly entertains, Charlotte Beers recalled, “There used to be no level treating where like there are 4 extra rooms.” The lounge “had to identify an environment that made folks say, ‘I want to keep on this room.’ ”
So Ms. Beers, additionally a former CEO of advert company Ogilvy and Mather, advised dressmaker Amelia Handegan she sought after the revel in of getting into the condo to really feel like strolling into an 18th-century boudoir. A precedent existed: The pink drawing room that the S.C.-based Ms. Handegan had created for Ms. Beers’s Charleston house were a success, because the decorator writes in her e-book “Rooms” (Rizzoli, October). So the duo started with that number one hue, layering in gold to maximise the sunshine and to determine an arrestingly opulent glance.
However how one can skirt the danger of bordello-like cheesiness when your basis is scarlet and gilt? First, deploy the highest- high quality parts, from English Regency antiques to materials just like the silk velvet that covers a banquette. Silk-and-cotton damask cloaks a settee underneath home windows which are draped in a silk shot thru with gold-metal thread.
2d, all that’s gold does now not need to glitter. The tea paper that strains the ceiling has a hand made, variegated high quality. The velvet at the banquette, hand-stamped with gold, could also be unassertive and strategically “worn” in spots.
Ms. Handegan hired different adorning wizardry to make the 830-square-foot pad appear spacious and grand. Right here, her sublime answers.
A Smartly-Pink, Person Room
Within the opulent dwelling/eating room of Charlotte Beers’s small 5th Street condo (above), dressmaker Amelia Handegan maximized the restricted area through minimizing the palette. Handiest 3 colours seem: purple, gold and pops of complementary aqua. Tone-on-tone reds—the settee, the Venetian-plastered partitions and the Christopher Hyland silk drapes—lend a hand unify the décor. A high-contrast means “would have damaged up the room and made it seem smaller,” stated Ms. Handegan. To chop down at the choice of distracting furnishings legs, the ones at the massive upholstered items are hid with skirts. The total impact: Welcoming and now not too formal. “I’ve had 35 other folks in right here directly,” stated Ms. Beers, who coaches government ladies in management when she’s in New York. “Once we were given to speaking, a few of them sat at the flooring.”
Within the bed room, symmetry simplifies and provides a way of serenity and spaciousness, defined Ms. Handegan: “Once I glance on this room, I will be able to’t see anything else however symmetry.” Eastern red-lacquer console tables from the 1950s and equivalent wall-mounted lighting fixtures flank the high-glamour mattress; the aqua of the ceiling and carpeting brackets the room most sensible and backside. (Even the door used to be moved to be focused on each the bed room and the living-room partitions.) Newly constructed closets consume up valuable sq. pictures, however Venetian-style mirrors at the doorways jump across the window gentle, as do the tea-paper partitions, the lustrous velvet headboard and the silk bedspread. Why wall-to-wall carpet? “In some instances, it makes a room glance larger,” stated Ms. Handegan. This carpet (of Tibetan wool and bamboo silk) is lighter than the darkish wooden beneath “and made the room glance brisker.”
On the different finish of the lounge, a big 18th-century Ecu display hangs over an enormous customized banquette. “Overscaled items could make rooms appear bigger than numerous little, edited issues,” stated Ms. Handegan. The L-shaped settee seats six with out the visible static of 24 supporting legs, and the rosewood English Regency desk, additionally a piece floor, helps itself on a easy pedestal.
Supply : WSJ